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We define “Original” as scripts as issued by the studios and production companies. These were used by the cast or crew and show some wear from usage. Most scripts from the early years like the 1920’s and 1930’s are in bad shape just because of the type of pulp paper used in the scripts.
PAPER TYPE
The first thing to check is the type of paper the script is printed on. If the paper is Bright and reflective it is more than likely a recent copy. That type of paper didn’t become available until the late 80’s and early 90’s. Also, studios such as Universal in the 1960’s and 1970’s printed on very thin cheap paper and used dull pastel colors not available today.
PUNCH HOLES
Most scripts from the 40’s through the late 60’s have a punch hole that is a few millimeters smaller than they are today. If the holes are large and have a jagged machine look to them they are modern. See the examples below:
 
REVISIONS
When changes are made to the script the changes are dated usually at the top middle to right corner and printed on a different color paper to visually let the cast and crew members know they have scenes and dialogue with changes. If you have a script with all white pages with some pages with different dates then you have a copy of an original.
COVERS
In the past most studios printed the title, studio information and writer on a card stock cover. The covers came in a rainbow of colors. Some studios such as Fox and Warner Brothers made their covers oversized. Over the years they usually got damage around the edges as there wasn’t the bulk of the script to hold the shape of the covers together. Presently, to save money, the Studios don’t usually spend the money on card stock covers.
FASTENERS
To hold the script together most original studio issued scripts had two or three brass fasteners. On the older ones they were mostly all heavier gauge brass and would today have a natural patina to them. 
The modern ones are thinner and usually plated brass on a tin type of metal.
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